Wednesday, April 27, 2011

Serendipity



Illustrations By Ellinor Forje

I stumbled upon these sketches today when I went looking for a glue pen in my arts & crafts box. I'd forgotten all about them. They're excercises for a short fashion drawing course I took two years ago. Area of focus; rudiments of drawing, and the human anatomy from a fashion perspective. I'm slowly getting the hang on shading and colouring. But I still can't draw hands and feet to save my life.

Thursday, April 21, 2011

Daddy's Derby


Photographed By:Isabel Nilsson
Make-up: Karin Rydström
Model: Pauline

EXTRA, EXTRA...READ ALL 'BOUT IT!!!

And The Boots Go To...


Photographed By Ellinor Forje

Stop the presses, she's been booted! We have a winner of the giveaway related to the blog entry Alternative State Of Shock!

Nadine of Nadine 2.0, is the new proud owner.

Her motivation:
"If the boots were mine, this is how I would wear them: Right up on stage to receive my thanks for another successful costuming year for the Year End Performance of the dance school here...I can hear the gasps already. They're pretty avant-Nadine."

I take her word for it, and hope they'll be followed by some visual evidence for our entertainment.

A new giveaway will be announced shortly.

Sunday, April 17, 2011

Daddy Suits Her Style

Image Courtesy Of JWF

Let’s take a moment to appreciate what’s happening around the young man’s collar. The detailing is exquisite, quietly deliberate, and undeniably refined, reminiscent of the precision one might expect from Giorgio Armani or the polished sensiblity associated with Tom Ford. This serves as a preamble to the discussion below, an exploration of men’s clothing, and how it can be reinterpreted through a feminine lens.

There’s something inherently compelling about borrowing from the masculine wardrobe. A crisp white shirt, for instance, carries a kind of understated authority, effortless when styled with a cinched belt and a confident heel. It’s less about imitation and more about reinterpretation, taking structured, traditional pieces and softening or reshaping them into something personal. Think of the heritage craftsmanship of Johnstons of Elgin or the timeless outerwear legacy of Burberry, both grounded in menswear yet endlessly adaptable.

Beyond aesthetics, what makes this approach so appealing is the subtle challenge it poses to conventional ideas of gendered dressing. There’s a quiet subversion in adopting silhouettes historically designed for men and making them your own. When done well, it feels modern, self assured, and slightly rebellious, not unlike the enduring elegance associated with Savile Row, a street in Mayfair, London, long revered for its tradition of bespoke menswear.

And then there’s the practicality. Men’s fashion, quite conveniently, offers an accessible gateway to experimentation. Often, the best pieces aren’t found in stores but already exist within reach, tucked away in a boyfriend’s or relative’s wardrobe or forgotten in the back of a closet.

A friend of mine once repurposed an old pair of men’s jeans into perfectly cut shorts, less a statement of style at the time, more an act of impulse, but the result was unexpectedly chic. Another instance, a simple grey sweatshirt, originally intended as a gift for someone else, became something entirely new with a bit of imagination and a pair of scissors. Slightly oversized, casually altered, it took on that relaxed, off the shoulder ease that feels both effortless and intentional.

Even accessories follow suit. Hats, jackets, shirts, passed down, borrowed, or quietly claimed, often gain a second life when styled differently. There’s a certain charm in that continuity, in pieces evolving across people and contexts.

Ultimately, dressing this way isn’t about cost or even trend. It’s about perspective. With a discerning eye and a willingness to reinterpret, the most unassuming garment can become something elevated, personal, and entirely your own.

Saturday, April 9, 2011

Everything I Miss At Home








Photographed By Paulina and Emilia Wiberg

These are finally the photos of the interior of the Meloa store in Lund, Sweden. Or more precisely, photos of what the interior looked like last spring. Meloa, is family owned, and run by Emilia, Susanne, Paulina and Matilda Wiberg. "Owning a clothing shop together is something that we've always wanted to do," said Emilia Wiberg, and explained that they took the steps to fulfill their dream after their mum decided to quit her job a few years ago to go into business with her daughters.

Their grandfather chipped in with some of his vintage furniture, as well. And once in a while, their dad contributes with luxury chocolate assorments (my favourites) and assorted nuts (those too), from his company.

The name Meloa, is a modified version of Katie Melua's last name. "We found it hard to think of a suitable name...and we listened to a lot of music during this period" said Pauline Wiberg. So to cut a long story short, Katie - her music, basically served as an inspiration for the perfect name.

The sisters often vacation together. And they find inspiration for their boutique from visiting different cities, countries and cultures. And by shopping in other people's shops, like their friend's lifestyle store - Hemma Hos Emla, located just a stone throw away from Meloa in Lund.

In future, the Wibergs, hope to expand their little store, (or stores actually, as there is also a branch of Meloa in Malmö, along with a freshly minted webshop) into what they now jokingly call "Meloaland". A landscape of shops, with the identical concept of kitschy colours, cozy atmosphere and romantic theme.

And to think that I came this close to calling this blog entry "Needful Things" after Stephen King's novel. This close. I decided against it though, due to the horror inclination. In·cli·na·tion, lexicon! Fancy. Well, you can't blame a girl for trying, can you?

But I still can't shake it, that feeling of mystery. Meloa, is (just like in the novel) a charming little store that, "always seems to have an item in stock that is perfectly suited to any customer who comes through its door." And isn't that a little spooky, even to you?

Monday, April 4, 2011

The Virgin Suicides


Photo Courtesy Of Meloa

Moment of truth: I've seen the movie, I'm yet to read the book about the fictive Lisbon sisters written by Jeffrey Eugenides. But these girls just made me think of them. I will read it. The book. And a review is forthcoming as soon as I've accomplished my mission.

Sofia Coppola, adapted the novel to the screen in 1999, starring Kirsten Dunst, Josh Harnett, James Wood and Kathleen Turne among others. Since I hadn't read the book, a pseudonymed poster (Ravenmn), on Reddit, generously summed up their impression of the book's plot and structure, in an exceptional way that rings true to the movie as well:

"Everything is told from the point of view of onlookers, so the unreliable narrator is a constant issue. The parents can't stand that the girls are under scrutiny. The girls' suffer unbearable consequences from being under constant observation. And here I am as the reader, observing it all."

The film is about human sacrifice, a Grecian tragedy, and Sofia captures the eeriness of that ritualistic element, extremly well. She can do no wrong. We knew that already. Those Coppolas, oh boy, oh boy, oh boy!

Emilia Bakes

Photographed By Emilia Wiberg

These are photos that Emilia sent me last year, of some yummy bread she'd baked over the weekend. She also provided me with the recipe, which I'll post further below.

I think that cooking and baking is so much more fun when you have cute tools to work with. I mean, look at that pink and green brush, isn't it adorable?

Also, the ladies over at Meloa (see previous post), run their own BLOG where you can find more recipes, outfit inspirations and diaries of their interesting lives. And I hear that somebody is expecting a baby soon...Who can that be?

Ingredients:
50 grams yeast
0.5 L yogurt
0.5 tsp salt
2 carrots
5 dl whole grain flour
6 dl of white flour

Glazing:
yogurt
pumpkin seeds

Cooking:
1.
Crumble the yeast into a bowl, then pour in the refrigerator-cold yogurt, and the salt. Stir until the yeast dissolves. Peel and finely grate the carrots. Mix together, then pour in the flour and work into a smooth dough. Allow to rise for 60 minutes under a cloth.

2. Turn oven on to 225 degrees. Remove the dough and divide into six pieces. Shape into round loaves and place them two by two, side by side on an oven tray. Cut an X in the middle of each loaf, brush with yoghurt and add the pumpkin seeds. Allow to rise for another 30 minutes under a cloth. Then bake in oven at 225 degrees for 15 minutes.

TIPS! Add a little more salt than suggested by the recipe.

Oh, and here's a measurement converter. Also, as a rule of thumb, Celsius is roughly half the Fahrenheit temperature.

You didn't think I'd forget you, did you? You little non- the metric-system person you♥

Saturday, April 2, 2011

Girls Just Wanna Have Fun!








Photographed By Paulina and Emilia Wiberg.

Meet the family. The owners of Meloa.